.. and with that, it seems another door from my past is closing. This seems to be a theme lately: things that I was fond of are slowly dissolving to black.
I’m not depressed per se, just a big melancholy. My life is taking some pretty interesting turns the past year, and while I’ll miss things from the last chapter of my life the next chapter looks to be just as interesting.
One chapter ends, another begins.
Before I start, let me just say that I don’t have a problem with any of what I’m about to piss on. I love this kind of genre play, and I think that a lot of the artwork and stuff created by the many talented artists in Steampunk really kick ass.
However, I think something needs to be said about “keeping it real” in the interests of fairness.
The way I’ve always understood “Steampunk”, it’s a genre based on an alternative historical timeline that assumes we never transitioned from steam power to the internal combustion engine, for whatever reason (and the reasons are quite varied and really unimportant). There’s usually some history rewritten as a result: Charles Babbage actually built his Difference Engine (and it is used to “power” much of society), Nikola Tesla was successful in his 1899 Colorado Springs Experiments, some (not experienced in our reality) natural disaster had far reaching consequences, and/or the popular science-fiction of Jules Verne and H.G. Wells became true as written.
In short, there’s a fairly specific time period that “Steampunk” looks like it is trying to emulate: that of the late Victorian era. In fact, most of the seminal works of Steampunk seem to want to wrap themselves in the Romanticism of that era, regardless of how far forward they put themselves in the timeline (see: a few Doctor Who episodes I can name: in fact, the present image of the TARDIS is, itself, very “Steampunk” in character).
Yet, at the same time, it seems that a lot of us in the Steampunk-admiring fandom forget the world that we’re actually supposed to be living in. We forget that “Metropolis” (the 1927 Fritz Lang silent film) is probably, at best, in Steampunk’s very near future, but probably not in the present. I see Art Deco influences up-played, Art Nouveau downplayed. An excellent example of some of this can be seen here at BuzzFeed: some of the artwork is excellent, but is it really Steampunk? Are silent films even technically “Steampunk”?
I’d venture to guess, if I understand the timeline correctly, that the cinema didn’t really take hold until the early 1900’s at best.. and it wasn’t until the 1910’s that it really caught on. As I understood it, “the new movies” were largely shown in burlesque (and the later Vaudeville) houses, and rarely as stand-alone features until well into the 1910’s, if not even the early ’20s. Okay, I’m willing to accept some “Steaming” of the tech to make it work, and the invention of the motion picture is inevitable.. but given that it requires the production of celluloid film in enough quantities to shoot miles of the stuff, it’s largely a product of the early 20th Century, and of the petroleum revolution that ends the Steam Age in our reality.
“Steampunk” is more ferrotype, less celluloid.
At SteamCon II this year, I observed something that kind-of made me sad as somebody who’s in this fandom for the history. A wonderful Gentleman was doing ferrotypes, even though conditions for the same frankly sucked. He was using period techniques, even using a period camera (although his plates were aluminum and not “japanned iron”). He even had a wonderful cart, not unlike what you would have seen in a country fairground of the era: he completely had the “travelling photographer” thing down as you would expect to see circa 1885. The sad part: he was not promoted at all by the convention (in fact, they seemed to kick him to the curb at the earliest opportunity when a vendor complained about the odor), and eventually was relegated to a dark corner of the hotel’s atrium out in front of his room.
Why was this guy not “front and center”? I had two ferrotypes made, and they are something I will cherish about my SteamCon experience. This is the sort of thing we should be embracing as “Steampunks”. (Side note: He’s in Salem, and deserves your business: http://yaquinaphotography.com/)
Maybe my experience as a Renaissance Fair rat comes through a little strongly here. I’ve already ranted a bit about the tendency towards poor hat etiquette. I have a whole laundry list of complaints, quite honestly.. but this is at the center of many of them.
This is the Victorian era, people. We don’t have to follow everything down to the letter (goddess knows the racism and sexual repression alone is something we could do without), but at least let’s try to maintain the class, lustre, and genteel-ness of the era we love. To throw that away is to miss the greater point of the Age of Steam, and turns us all into that flowchart above. Does it have gears? No, guess I better add some more…
Does nobody understand proper hat etiquette anymore?
Okay, I know this is a convention, and people are dressed in costumes. However, we’re supposed to be in the Victorian age (or at least in a retro-future world rooted in Victorian ideals). We’re supposed to act that way.
The biggest violations? Last night at the Cabaret. It’s theatre, dammit: MEN ARE SUPPOSED TO REMOVE THEIR HATS WHEN IN A THEATRE. Or a restaurant. Or, for that matter, any “intimate” interior space (generally speaking, one can leave their hat on in corridors and large open indoor spaces, such as a lobby or arcade). In addition to the “remove your hats when you are indoors” rule, it’s also polite to those who are sitting behind you.
Another big violation: the “lady in a lift” rule. If you are in an elevator and a lady boards, take it off, dammit.
Lastly, and this is another one that gets under my skin, is failing to remove your hat at the dining table. And for crying out loud, when you do remove your hat, you don’t put it on the table.
Come on, people. We’re supposed to be demonstrating ideals from a more “enlightened” and gentler age. Let’s act like it by using the manners incumbent on the era we’re playing.
Just a quick note from Steamcon II. Having a great time..
There’s an awful lot of really cool costume bits here. Norma and I are both taking a lot of pictures, I’ll post some a little later.
I also had a great opportunity to have a ferrotype made. The conditions weren’t the greatest for the photographer.. it is really cold, and the beautiful interior space of the SeaTac Airport Marriott apparently has UV blocking windows (ferrotypes typically need a lot of blue and UV light).
Also went to a panel this morning with Jake Von Slatt. He’s the guy who makes all the interesting keyboards and stuff. I took video, I’ll be posting that to YouTube a bit later.
Okay, off to find Norma and get some lunch..